☞ Characters do not arise out of thin air of course, nor are they merely an imitation of real persons. One of the major sources of characterisation and character formation is other characters. On popular media, such as cinema and television, major characters in some well-known movies or television serials may have an influence on subsequent characters. This article convincingly argues that the main character of the MTV serial Daria does have an influence on important female characters in subsequent television serials, such as the main characters of Parks and Recreation, Suburgatory, Awkward, Community and Girls. What is also interesting about the claim is the influence that a character from an animated serial has on characters in live-action serials.
“If only Daria Morgendorffer could see the world she wrought.
It’s been a decade since the Glenn Eichler and Susie Lewis Lynn animated series went off the air, but the impact of its eponymous heroine and her deadpan journey through life in the suburbs is still felt. Some of the sharpest female protagonists on television right now can trace their identity, at least partially, to the central figure of MTV’s teen comedy “Daria,” which ran for five season and two TV movies, the second of which, “Is It College Yet?,” found Daria bidding farewell to the high school life she found so trying. While her contemporary, Tony Soprano, spawned a legion of tortured male antiheroes, Daria pulled off a feat less discussed but all the more difficult — she made the world a little safer for brainy, independent, socially maladroit young women everywhere. Here’s a look at a few current TV characters who, but for this turn-of-the-millennium heroine, might not exist.”
☞ Again, adaptation becomes an issue… How close is the film to the original? When should this become an issue? Or, to put it in the terms of this review, when does a film begin to “vandalise” the original?
“What began as a necessary fleshing out of narrative allusions and foreshadowing to effectively translate literature into a movie ended up as Jackson’s sheer invention and gratuitous abuse of the characters, all of whom sword fight more often than Conan the Barbarian and more bloodily than Leonidas. If Thorin had shouted in the midst of battle with the Goblins, “Dwarves! Tonight we dine in Mordor!” no one in the audience would have been the least bit surprised. Zorro and the Three Musketeers had less skill with a blade in hand-to-hand combat than do these Dwarves, Gandalf or at times, Bilbo Baggins.
The only scenes where Jackson manages genuine fidelity to the story are the ones with Gollum, Bilbo and their Riddle-Game – perhaps out of fear of trivializing his previous movies, Tolkien’s actual dialogue and plot enters the script before vanishing again into a Jacksonian cinematic homage to every American action movie ever made. No wonder Christopher Tolkien looks on with weary despair.”